Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers by Doyle Michael E

Author:Doyle, Michael E. [Doyle, Michael E.]
Language: eng
Format: epub
Publisher: John Wiley and Sons
Published: 2006-11-17T00:00:00+00:00

Develop tree forms, colors, and shadows. Black marker was applied to the darkest areas beneath the trees in figure 4-202. As it was worked upward into the tree canopies, the Black was dotted in with the marker tip.Black marker was also used on the left side of the middle-ground tree to the right. Olive (Olive Green) marker was used to pick up where the black left off as the color progressed toward the sunlit side.

Olive (Olive Green) marker was also used to apply the shadow of the tree on the ground as well as the long shadows in the field beyond. Yellow Green (Limepeel) marker was used on the sunlit portions of the field.

The sunlit sides of the trees and fields were muted with Sunset Pink (Deco Pink) marker, and Willow Green (Lime Green) marker was used as a transition color between the sunlit and shaded sides of the tree canopies.

The most distant hills, near the horizon, were colored with Cool Grey # 1 (Cool Grey 10%) marker; Cool Grey #3 (Cool Grey 30%) marker was used on the next closest “layer” of trees. The layer of trees just in front of these were drawn with Cool Grey #1 and #3 (Cool Grey 10% and 30%) markers, then washed with Willow Green (Lime Green) and Naples Yellow (Eggshell) markers.

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